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Only a few years separate Ana and Isabel ( Isabel Telleria), but they form that important divide where Ana depends on her big sister to explain mysteries. Although the time is not specified, it would have been clear to Spanish audiences that the film is set soon after the end of the Spanish Civil War, which began Franco’s long dictatorship - so soon after that the same day, a wounded opponent of the regime takes refuge in the barn-like outbuilding. Her misunderstanding of the scene will shape the events to follow in Victor Erice’s “The Spirit of the Beehive” (1973), believed by many to be the greatest of all Spanish films. For the two girls, especially Ana ( Ana Torrent), this makes a dramatic impression.
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Perhaps because of censorship, we don’t see that he did not drown her, but threw her in with delight, thinking she would float as well.
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Perhaps because of censorship, the film cuts directly from this to the monster mournfully carrying the child’s drowned body through the village. The creature comes upon a farmer’s young daughter tossing flowers into a pond to watch them float.
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A ramshackle truck rattles into town announced by scampering children, who shout, “The movies! The movies!” A screen and projector are set up in the public hall, and an audience of kids and old women gather to see “Frankenstein” (1931).įor the children, the movie had might as well only be about the monster, so tellingly performed by Boris Karloff.